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13 March 2013

United Nations Arts Initiative
Arts Integration Into Education
Url: www.unarts.org
Twitter: unarts
Facebook: unarts


The International Dancescience Development Program is proud to announce new members to the Advisory Board include:

  • Stephen M. Apatow: Founder, United Nations Arts Initiative and International Dancescience Development Program.
  • Daryl Gray: Director/Choreographer.
  • Sharon Dante: Founder/Executive Director, Nutmeg Conservatory for the Arts.
  • Linda Hamilton: Former Soloist and Current Wellness Coach for the New York City Ballet.
  • Susan Jaffe: former prima ballerina of ABT and Dean of the Dance at North Carolina School of the Arts.
  • William Bograkos: MA, DO, FACOEP, FACOFP, Clinical Professor of Medical Military Science, Family Medicine and Emergency Medicine at the University of New England College of Osteopathic Medicine.

Stay tuned for updates.


25 February 2013


Daryl Gray and Stephen Apatow Announce Collaboration to Expand International Dancescience Education

Classical ballet training represents the most advanced technical movement mechanics training in the world. The mechanical alignment ideal in classical ballet training represents the most stable, functionally integrate relationship of the spine and extremities.   An understanding of mechanical ideal is crucial for optimum control of the human frame in space, strength, leverage mechanics and economical movement. This foundation established in conjunction with sports specific movement mechanics is the key to successful Olympic development programs. A correct understanding of the classical ballet mechanical ideal provides the physician, therapist, coach or student a reference point for alignment deviation as it corresponds to the mechanism of joint stress and injury of the spine and extremities.

Daryl Gray was a protege of David Howard and one of the earliest trained in kinesiology as applied to classical ballet training.  Besides numerous credits in the concert and theater worlds and as a master teacher, he also holds a certification from the National Association of Sports Science.   Fascinated with biomechanics, he has come together to collaborate with expert  Stephen Apatow, a pioneer in the advancement of the field and has begun an exploration of the methodology of the cross-training of sports and ballet to maximize the strength balance, stability, plyometric power and range of movement of both dancers and athletes alike.

For additional Information, visit the:

International Dancescience Development Program
Internet: www.edancescience.org
Facebook: edancescience


Daryl Gray
Director/Choreographer and Master Teacher
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B’way cast; Bob Fosse’s Dancin’, soloist in On Your Toes and other shows, soloist; Bejart Ballet, guest principal in classical/ neo-classical repertory at Northern Ballet Theater (UK), in the US and abroad.

Choreographer: Ladies In Waiting (w/ Megan Mullally)/Chicago Civic Theater, A Tribute To Richard Rodgers/St. Louis Muny Opera, Carmen/NYCO Lincoln Center, Columbus, the Musical/Playhouse 91 in Manhattan, Amerika (w/ Madeline Kahn)/Santa Fe Festival Theater, Irma La Douce/Miami Coconut Grove Theater, The King & I, Grease, No, No Nanette, Brigadoon, Kiss Me Kate, Annie Get Your Gun, Once Upon A Mattress, Camelot/California Musical Theatre, Company/Playwrights Horizons NYC, A Celebration of the American Musical/Paul Gemigani (Musical Director)/Televised Live From Lincoln Center, Disney Extravaganza Industrial, Washington D.C., Winter Dreams/Ice Theater of NY (ice- dancing) at Rockerfeller Center, The Body Human CBS TV, Ann Reinking’s Broadway Theater Project

Dir./Choreographer: Broadway Holiday (High Fashion Industrial)/ Dallas, Associate Director/Choreographer, Patience NY Gilbert & Sullivan Players, Dir./Choreographer - Australian and American productions of Pirates of Penzance! (San Jose Performing Arts Center) 09, voted Best of the Bay 2004 (San Francisco), Orlando 2008, Associate Director Brimstone/ (Stamford Arts Center), Bat Boy, (USF), Director/Choeographer, Viva America! (NYC) Pre-Broadway Workshop,DanceBreak 2005(Ailey NYC),”Wild About Harry” NYMF 2008, “Andy Warhol Was Right” 2009

More than 70 works for the concert stage including : Brooklyn Academy of Music, Joffrey, ABT Workshop, North Carolina Dance Theatre, Atlanta Ballet, Ballet San Jose, Tampa Bay Performing Arts Center, and numerous dance companies across the U.S. Choreography featured by Bejart Ballet, Les Ballet Jazz de Montreal, Batsheva Dance Co. of Israel, and other companies in Canada, Great Britain, France, Germany, Belgium, Australia, Korea, Yugoslavia and South America.

Specialties: Choreographer for Ballet Companies worldwide, Director/Choreographer, collaborator for new musicals, revivals, operas, the concert stage, industrial shows and TV. Master teacher in choreography, ballet and musical theater dance at : Harvard, Washington University and Dance organizations, schools and companies worldwide.


Stephen M. Apatow
Founder of Humanitarian Resource Institute (UN:NGO:DESA), United Nations Arts Initiative, Pathobiologics International, and Sports Medicine & Science Institute International Dancescience Development Program.
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Sports Science: Professional and Academic Experience includes:

  • Academic: Exercise Physiology, Sports Medicine, Sabbatical 1984.
  • 1984-90: Full time training for ultra distance running, ultra-distance cycling, national & international level competition in cross country skiing and rowing.
  • 1985: Accepted to the national development camp for cycling, Olympic Training Center, Colorado Springs, Colorado.
  • 1986-89: Through the help of Tony Johnson, heavyweight rowing coach at Yale, began cross training sweep rowing and sculling with the New Haven Rowing Club.
  • Studied modern, jazz and ballet training at the Lee Lund Academy from 1985-88 and the Soviet System of Ballet Training at the Nutmeg Conservatory for the Arts from 1986-89. Graduate of the Nutmeg Conservatory for the Arts Professional Program in 1989. 
  • 1987: Presentation at Rossignol Cross Country Ski Clinic, speakers included Bill Koch and Lyle Nelson coordinated by Mike Gallagher, (former Olympian and Olympic Cross-Country Ski Coach), Mountain Top Inn, Chittenden, Vermont.
  • Martial Arts: As a participant in the study of martial arts for over 20 years, classical ballet training provided a scientific method (utilizing a similar approach used in eastern bloc development programs) to optimize speed, strength, leverage mechanics, force generation and technique. Current training emphasis is Judo/Jujitsu. Founder: JudoSport International. 
  • Technical consultant for Cheryl Madeux, Finalist, Lausanne International Ballet Competition in 1990. 
  • Technical consultant for U.S. National Team athletes from Harvard University, members of World and Olympic Festival Teams. Sports applications include professional football, national level wrestling, hockey cross-country and downhill skiing, skating and martial arts. 
  • Speaker at 1990 Coaches Association Meeting for Sport Canada at the Olympic Complex in Ottawa, Canada. 
  • Upon request, applications of the analysis correction and retraining procedures to enhance the joint flexibility and technical performance for classical ballet training have been applied to musculo-skeletal disorders that include entrapment neuropathies, Scoliosis, Rheumatoid Arthritis, Asthma, Fibromyalgia, Frederick's Ataxia and Multiple Sclerosis. One of our cases with Rheumatoid Arthritis was submitted to the National Arthritis Foundation Peer Review Board in 1990. Analysis and corrective procedures have been adapted to help spinal herniations for physicians at Yale Medical School. 
  • Small animal veterinary application of human biomechanics procedures leads to work with hundreds of horses in dressage, hunter-jumper and western training programs. (See: Expanding Human to Veterinary Biomechanics Applications)
  • 1994-98: Corrective procedures developed to enhance the technical ability of the international level dancer in ballet were adapted into dressage and hunter-jumper specific training programs for both horse and rider. This work was formally introduced as an equestrian development program at the USDF Adult Camp in Boise, ID in 1997. In 1998, the USDF Region V Adult Camp in Jackson Wyoming provided USDF University Credit for the lecture presentation on "Biomechanics and Structural Analysis of Both Horse and Rider." 
  • 1999: Presenter at Society of State Directors of Health, Physical Education, and Recreation Annual Meeting, Boston, Massachusetts.
  • 1999 - Present: Research and development of programs associated with the optimization of classical ballet training, Olympic development programs and specialized orthopedic applications.
  • 2002 International Sports Science Association Fitness Therapist Review: The Science and Practice of Rehabilitative Exercise integrate theory and practice in the health care arena. This specialized field utilizes information from the world of rehabilitation, pathology, functional anatomy and physiology and blends it with the world of fitness training dealing with aerobic conditioning strength training, skill development, exercise progression and prescription for special population groups. 
  • 2003: "Optimization of Classical Ballet and Sports Development Programs" workshop was introduced at the 11 state American Alliance for Health, Physical Education, Recreation and Dance (AAHPERD) Combined Convention on February 12, 2003 in Reno-Sparks, Nevada.
  • Currently on faculty at the Nutmeg Conservatory for the Arts, director of the International Dancescience Development Program.  Consultancy work with all sports and Olympic development programs continues through JudoSport International, encompasses classical ballet based biomechanics training through  martial arts based technical skill development.

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